Summer Binges

What do you watch when you get home from work? (I’m assuming here that most people plop, exhausted, on the couch after work every single night because that’s exactly what I do) I noticed this summer that my post-work TV viewing revolved around suspense dramas and murder, so I thought I’d rank the six shows I binged between June and August.

How To Get Away With Murder (streaming on Netflix): We’re obviously starting with the worst because, man, this show. It’s a few years old now, but I’d never seen it, so I watched the first season and half of the second and then I turned it off for good. A law professor literally teaches her students how to, well, you know - get away with murder. It was interesting at first, but then it became a huge tangled web of deceit with no resolution in sight. When one situation or threat was cleared, another (more implausible than the last) had already started brewing. It caused more stress than a day at work and I know murder shows aren’t all relaxation and mindlessness, but jeez. No thanks. And I couldn’t get past Alfred Enoch not being Dean Thomas from Harry Potter.  

Goliath (streaming on Amazon Prime): This show is ranked second lowest on my list, but that’s not to say it was bad; it just wasn’t as intriguing (to me) as the other shows I watched. Billy Bob Thornton plays a smart and once powerful attorney who now drinks more than he practices law. In the first season, he’s talked into taking on a wrongful death case against a large corporation who happens to be represented by his previous firm (that he helped build) and conspiracies are unveiled. I liked the plot of first season more than the second, where a young boy is framed for murder; howeverrrrr… the second season had some pretty surreal situations that I feel need mentioning. Mark Duplass plays an unscrupulous developer who has some pretty specific turn ons involving H.R. Pufnstuf and I’d be remiss if I didn’t say it was one of the most bizarre things I’d seen on TV for awhile. I just sat on my couch with an unbelieving and horrified look on my face - and doesn’t a reaction like that at least make for decent television?

The Tunnel (streaming on Amazon Prime and PBS Passport): My first (and not last) British show on the list. This is where my true love of crime procedural lies - across the pond. Or, in this case, across the Channel. The Tunnel is three seasons of the British working with the French to solve trans-Channel murder and crime. And yes, there are some subtitles. Like Goliath, the first season is the best and most plausible, but they’re all cleverly developed. I enjoyed the interaction between the two lead detectives -- Stephen Dillane (Stannis Baratheon from Game of Thrones) and Clémence Poésey -- as they learned to trust each other and work as a team. They’re short at six episodes per season and the third and final season aired this summer.

Marcella (streaming on Netflix): Another British murder drama, this time with an extremely flawed and complicated lead (wait, isn’t that every murder mystery?). The first season aired a few years ago and I loved it. Anna Friel (from Pushing Daisies) plays Marcella Backland, a headstrong detective and mother who goes in and out of often-violent blackout episodes stemming from an unrealized traumatic event in her past. The second season aired this year and she finally delves deep enough in her psyche to understand what she’s been trying to bury for the last several years. There are definitely some intense scenes and, honestly, some are very disturbing and dark - notably more so than in the first season. Is it weird that that’s exactly what I love in a suspense show? The crazy ending leaves an opening for further seasons, but on a completely different path. Definitely check it out.

Sharp Objects (streaming on HBO Go): Sharp Objects is based on the book of the same name by Gillian Flynn, of Gone Girl fame. Over the course of a year or so, in the sleepy Missouri town of Wind Gap, two girls have been found brutally murdered. A reporter from St. Louis returns to her hometown to cover the latest murder and is brought face-to-face with her haunted past. Family and town dynamics are explored at a slow, but satisfying pace. The show feels distinctly Southern Gothic and patience is key for the reward of a shocking twist at the end… don’t skip the credits. I usually read books before I watch the TV or movie adaptation, but I was so disgusted with How To Get Away With Murder, I jumped into Sharp Objects without reading first. I’ve heard the show is slightly different than the book, so I think I’ll pick that up soon.

Endeavour (streaming on Amazon Prime and PBS Passport): Alright. This is it. As much as I love crazy, dark, and twisted murders, there’s nothing better than a British cozy mystery and Endeavour very much satisfies that sub-genre. My favorite class in college was British Detective Fiction - we read a mystery each week and broke down the genre from its origins to present-day trends. Everything from Agatha Christie to Colin Dexter, who, as it happens is directly connected to Endeavour. Colin Dexter is known for Inspector Morse - a slightly-more-than-middle-aged man who solves crimes across the city of Oxford, England. He debuted in 1975 and appeared in more than 13 novels across more than two decades (there was also a British TV series based on the books than ran almost as long). Endeavour imagines Morse as he would have been in the 1960s before he moved through the ranks of the British constabulary system. It’s just delightful and well-made. Each episode is approximately 90 minutes, so there’s plenty to sink into if you’re looking for a long-term relationship with a fictional character.

Posted on September 2, 2018 and filed under TV Reviews.